Colombian-American Violinist RAY SHOWS is a complete musician with three decades of performances as 1st violin of the acclaimed Artaria String Quartet and as a solo recitalist. His sound "a wail of individuality" Ray has performed in major concert halls in New York, Boston, Chicago, Cleveland, Philadelphia, Atlanta, Minneapolis across the U.S. and in Europe. Winner of a prestigious McKnight Performing Artist Fellowship, Ray is a highly regarded chamber musician who has collaborated with renowned artists Arnold Steinhardt (Guarneri Quartet), Eugene Drucker (Emerson Quartet), Paul Katz (Cleveland Quartet), and Raphael Hillyer (Juilliard Quartet) and has appeared on national television and radio broadcasts in both the U.S. and Canada. Ray is passionate about 20th century music and has recorded music of today's leading composers, including Gunther Schuller, Augusta Read Thomas, Marjorie Merryman and Thomas Oboe Lee. A Teaching-Artist in Residence at the Tanglewood Institute, Ray has held positions at Boston College, Viterbo University, Florida State University and Baldwin-Wallace Conservatory. Named MNSOTA Music Studio teacher of the year in 2010 his students are concerto soloists, scholarship recipients at renowned American music schools, prizewinners at national competitions, and have appeared on National Public Radio’s From the Top. Shows received the coveted Director's Award and graduated with distinction from Boston University and Florida State University  in Violin Performance under the tutelage of Carl Flesch protégé Roman Totenberg and Galamian assistant Gerardo Ribeiro. Chamber Music studies were mentored by Eugene Lehner of the legendary Kolisch Quartet and by members of the Budapest, Juilliard, Emerson, Cleveland, LaSalle, and Muir Quartets. Shows is a member of the faculty of St. Olaf College where he teaches violin, viola and chamber music. He is founding 1st violinist of the Artaria String Quartet and Artistic Administrator of Stringwood and the Saint Paul String Quartet Competition. Ray performs on a rare violin by Andrea Castagneri and a bow by Pierre Simon.

A founding member of the critically acclaimed Artaria String Quartet, named a 2014 Minnesota Original, and a 2004 McKnight Fellow, violinist NANCY OLIVEROS has performed at renowned venues in New York, Boston, Atlanta, Cleveland, Philadelphia, Chicago, and throughout the United States and Europe. She is a multi-year recipient of grants from the National Endowment for the Arts, Chamber Music America, and the Minnesota State Arts Board for performance and educational outreach projects. In the early 2000's,  she co-founded the Stringwood Summer Chamber Music Festival in Lanesboro, MN and the Artaria Chamber Music School in St. Paul, and has performed with members of the Juilliard, Guarneri, St. Lawrence, Pacifica, Concord, and Cleveland Quartets and many more of today's finest chamber players. With the ASQ, she served multiple summers on the faculty of Boston University's Tanglewood Institute as Quartet-in-Residence, competed at the finals of the Banff International String Quartet Competition, and was a protégé of Walter Levine at ProQuartet and the L'Epau Festival in France. She was a fellowship student at Aspen, Kneisel Hall, and the Florida Festival and was a graduate teaching assistant and concertmaster at The Florida State University and Boston University studying violin and chamber music  with Roman Totenberg, Eugene Lehner, Raphael Hillyer, and the Muir Quartet. Further studies in chamber music were with members of the Budapest, Juilliard, and Cleveland Quartets. Nancy's principal violin teachers were Roman Totenberg, protegé of Carl Flesch, Gerardo Ribeiro, protegé of Ivan Galamian, and Cyrilla Barr, protegé of Rudolf Kolisch. Her students are national prizewinners and can be found in major professional orchestras and chamber ensembles . Ms. Oliveros and pianist Mary Ellen Haupert's critically acclaimed recordings of the chamber music of Louise Farrenc are on the Centaur label. Other recordings include Milton Babbitt's sensational "Transfigured Notes" for string orchestra, recorded live for G&M in Boston's Jordan Hall, conducted by Gunther Schuller. Oliveros is delighted to own and perform on a rare 1781 Neopolitan violin by Tomaso Eberle.

A native of Minnesota, Violist ANNALEE WOLF received her undergraduate degree from St. Olaf College. After completing her Master of Music degree at the North Carolina School of the Arts, she earned a Premier Prix in viola performance from the Royal Conservatory in Brussels, and subsequently studied chamber music and the humanities at the European Mozart Academy. She has performed with the North Carolina, Greensboro, Charleston, and Savannah Symphonies, as well as the European Philharmonic Orchestra. As a chamber musician, Annalee has participated in numerous national and international festivals, including the Quartet Program, the Winter Institute for String Quartets, the Kneisel Hall, Hampden-Sydney, Brandeis, Domaine Forget (Quebec) festivals, and the Cours International de Musique in Morges, Switzerland. She has frequently performed as guest artist with the West End Chamber Ensemble and the Ciompi String Quartet, and in 1995 appeared as soloist at the Eduard Tubin Music Festival in Tallinn, Estonia. Other European appearances have included concerts in Rome, Warsaw, Brussels, Budapest, Prague, Bulgaria, Croatia, and a performance for the president of Romania at his palace in Bucharest. Annalee has taught viola and chamber music at the North Carolina School of the Arts, the University of North Carolina at Chapel Hill, the University of Minnesota, St. Olaf College, and the MacPhail Center for Music. She has been a student of Andrea Een, Roland Vamos, Toby Appel, and Ervin Schiffer, and has studied chamber music with members of the Juilliard, Takacs, Mendelssohn, Lydian, and Haydn String Quartets.

Rebecca Merblum, originally from Connecticut, has been dedicated to chamber music throughout her life as a cellist. The Hartt School gave life to this connection as Rebecca worked with the Emerson String Quartet and Mitchell Stern (American String Quartet). It continued through her studies at the Cleveland Institute and the New England Conservatory where she went on to earn her Bachelor and Masters Degrees respectively. Based in Minneapolis, Rebecca is a frequent substitute with the St. Paul Chamber Orchestra and the Liquid Music series. In addition, she was a guest artist with the acclaimed Cavani Quartet in 2018 and 2019. This collaboration furthered her connection to string quartets, as a former member of the Artaria Quartet (2016-2017) and a founding member of the Azmari Quartet, the Corbett Ensemble in Residence at Northern Kentucky University (2004-2009). Ms. Merblum also enjoys performing engagements with the Cincinnati Symphony, Los Angeles Chamber Orchestra and has performed in the past as a guest artist with the Salastina Chamber Music Series, Sundays at LACMA, the Green Umbrella Series (Los Angeles Philharmonic) and Classical Encounters. Additional chamber music performances involved collaborations with Michele Zukovsky (LAPhil), Martin Chalifour (LAPhil), Ronald Leonard (LAPhil), Andrew Schulman (Los Angeles Chamber Orchestra) and Panic Group, an ensemble dedicated to the presentation of new music. Rebecca was also a substitute with both the LAPhil and LAOpera from 2010-2016 and can be heard on several film soundtracks. Rebecca crafted collaborations during the pandemic with the James Sewell Ballet and composer Chad Hughes- exploring the evolution of dance forms from the 18th century to the present. This theme can be seen throughout her work - driven by the interwoven nature of the artistic process Rebecca also held a Target Center Residency through the pandemic at the Weisman Museum- Cello Conversations. The final panel ‘What Do You Hear’ can be heard here. Earlier in 2020 she was also awarded a grant for her initiative ‘Your Dance’ by Springboard for the Arts as they addressed Artists Combating Isolation. Rebecca is currently working in partnership with Fueled Collective on a new Chamber Music Series - Sound Dialogue. Her work with visual and textile artists has continued to unfold out of work featuring ongoing collaborations with Eyenga Bokamba and Jorie Ann Kosel. Rebecca was also a guest lecturer at the Longy School speaking to students engaged with Music in Alternative Spaces. A dedicated teacher, Rebecca served as the Chair of the String Department at the Pasadena Conservatory from 2014-2016 where she was a member of the cello and chamber music faculties. Her students have gained recognition in numerous competitions and festivals including the Piatigorsky International Festival. Rebecca currently teaches at the MacPhail Center for Music and held the title of Artist in Residence in association with their Global Music Initiative in 2022. Her project entitled ‘Threads’ nurtured collaborations with writer Shannon Gibney, composer Chad Hughes, students in Minneapolis, and visual artist Moira Villiard. Rebecca also recently joined the faculty of Central Lakes College. Rebecca is also very much involved in mentoring and working with students in Kenya, serving as Co-Artistic Director of the KICF - Kenya International Chamber Music Festival. Heading into its 4th Season, KICF will take place in January 2025. It represents the annual gathering of global musicians who continue to work tirelessly to manifest the dreams of students and communities throughout Kenya. Rebecca will be serving on a panel at the University of Minnesota in the fall of 2024 to share her experiences connected to creative activism. Rebecca was recently recognized for the breadth of her work with a 2022-2023 McKnight Fellowship Grant. Rebecca has expanded her international teaching through Project Music Heals Us and now works with students in Africa and the Middle East.